2020 MOXsonic Festival Schedule (Archive )
Explore the full schedule for the 2020 Missouri Experimental Sonic Arts Festival (MOXsonic), featuring live concerts, fixed media presentations, research workshops, Nightlife events, and social gatherings. Click on the icons or images below to see detailed information about each event, including times, venues, and performer or presenter details. The festival highlights interactive technologies, improvisation, and experimental approaches to sound, providing a rich experience for artists, technologists, and audiences alike.
MOXsonic 2020 Schedule Overview
Thursday, March 5, 2020, 7pm-Opening Party/Nightlife – UCM Gallery of Art and Design – Art Center – 217 East Clark
Friday-Saturday – 2020 Interactive Listening Room – Electronic Music Composition Studio – Wood 003A
Friday – March 6, 2020 – All Day – Installation – Studio B, Wood Hall
Friday – March 6, 2020 – Papers – 10:30am-12:00pm – Studio A, Wood Hall
Friday – March 6, 2020 – Concert 1 – 1pm – Hart Recital Hall
Friday – March 6, 2020 – Workshop – 2:30-3:30 – Studio A, Wood Hall
Friday – March 6, 2020 – Concert 2 – 4pm – Hart Recital Hall
Friday – March 6, 2020 – Concert 3 – 7pm – Hart Recital Hall
Friday – March 6, 2020 – Nightlife 2 – 8:30pm – Art Gallery – UCM Art Center
Saturday – March 7, 2020 – Social Time – 9am to 12noon – Art Gallery – UCM Art Center
Saturday – March 7, 2020 – The Cave – 9am to 10:30am – Art Gallery – UCM Art Center
Saturday – March 7, 2020 – Demo – Saturday 11:00am to 11:30am – Studio A, Wood Hall
Saturday – March 7, 2020 – Five Minute Video – Saturday 11:30am to 12noon – Studio A
Saturday – March 7, 2020 – Concert 4 – 1pm – Hart Recital Hall
Saturday – March 7, 2020 – Workshop – 2:30-3:30 – Studio A
Saturday – March 7, 2020 – Concert 5 – 4pm – Hart Recital Hall
Saturday – March 7, 2020 – Concert 6 – 7pm – Hart Recital Hall
Saturday – March 7, 2020 – Nightlife 3 – Saturday, 8:30pm – Art Gallery – UCM Art Center
2020 Soundcheck Schedule
MOXsonic 2020 Posters
MOXsonic 2020 Photo Gallery
MOXsonic 2020 Review – MIT’s Computer Music Journal