Please read the following closely: We have a system in place to ensure quick, smooth transitions between our back-to-back concerts. Following these protocols will benefit YOU and the PEOPLE COMING AFTER YOU by giving all access to a comfortable setup, soundcheck, performance, and tear down: One other note: please note that the hall is booked with back-to-back events, so there …

************************ Kate Olson KO SOLO The Human Sound: Breath and electronics in the digital age Alto flute and electronics  What is the role of the artist in the digital age? How do we keep connection with our humanity when we are siloed into digital communication more than communing face to face? Boredom and despair run rampant, even though we are …

************************ Jeff Kaiser and Alexandria Smith Cleaner Data at a Larger Scale Building on Kaiser’s composition, Improvising Machine #7325: Inside My Trumpet, Again, Cleaner Data at a Larger Scale places the audience inside two trumpets, exploring the instrument’s interior sonic world through an immersive human–machine improvisation system. The work is built from two extensive, individually built sample libraries (Kaiser and …

************************ Travis Garrison Who Knows What? ************************** Robin Cox MACHINE A work inspired by an enormous combine harvester and the many analogies to life it conjured.   Robin Cox is a composer, violinist, multidisciplinary collaborator, and technologist addressing intersections of acoustic and electronic sound, visual media, and new listening methods and environments. He has also directed The Robin Cox Ensemble in …

(Grinstead 128 is in the inside hallway going north from the foyer to Hart Recital Hall.) ************************ Jeff Kaiser Epistemic Gatekeeping in the Music Tech Classroom ************************** Jingyu Luo Motif for Ono This is a project using bellplay~ . bellplay~ is a programming environment and operation software designed for composers according to bell language , making it the easiest to …

************************ Marcin Pączkowski Into the Lucid Chamber for interactive electronics “Into the Lucid Chamber” was composed to be first performed at the Georgetown Steam Plant in Seattle, which has unique acoustic character—rich reverberation, resonant frequencies, and the surprising musicality of its materials when awakened. This piece treats the space not merely as a venue, but as a collaborator. Field recordings …

(Grinstead 128 is in the inside hallway going north from the foyer to Hart Recital Hall.) ************************ Sarah Belle Reid Manifold: Accessible Approaches to Quadraphonic Diffusion and Collective Listening Manifold is a quadraphonic composition and research project exploring how spatial sound can be experienced collectively and accessibly outside specialized environments. Written for trumpet and electronics, the original version of the …

Great coffee and beverages – Great conversation – See you there!